Motley crue def leppard tour12/11/2022 His banter was peppered with enthusiastic variations on "It's good to be home" and he frequently thanked the audience for making this one of the best nights of his life in a way that felt genuine.Īnd Michaels' bandmates more than rose to the occasion. Michaels is, in many ways, the perfect charismatic front man for this sort of concert, and because he's had a home in Scottsdale for more than a decade, he was able to address the crowd as not just fans but neighbors. Michaels told The Arizona Republic, "When I hit the stage, it's a party." That's exactly how their set went down. They squeezed a lot of hits into their time on stage, from their revival of Loggins and Messina's "Your Mama Don't Dance," which featured some excellent blues harp from Michaels, to "Fallen Angel" and the set-closing swagger of "Nothin' But a Good Time." If the Cardinals said, "I wish you hadn't done that," I could see where that would ruin their relationship with Motley Crue, but I'm not sure where that was headed in the first place. Toward the end of their performance, Vince Neil wore a Cardinals jersey. Now, my night is ruined 'cause I have no way of getting home and there's a very special dinner catching fire in my oven as I type this" type of train wreck. "Smokin' in the Boys Room" was a train wreck - not the "I can't look away" variety, the "Damn, the train wrecked. The medley of songs they have been known to cover was a total mess, obscuring everything they ever brought to any of those covers, which at times transcended the original recordings. "Home Sweet Home" was especially poignant. It was all absurdly juvenile, but not in such a way that it distracted from the essence of a Motley Crue performance. He was not shy about referring to such matters. Review: How Pearl Jam reconnected with the electrifying spirit of their youth in Phoenix Tommy Lee went 'full Tommy Lee'Īt one point, Tommy Lee went what's known in the business as "full Tommy Lee," encouraging half a dozen women to show their breasts (although he did not call them that) while calling attention to the photographs he shared on social media of certain things we tend to talk about when conversation turns to Tommy Lee. Toward the end of Motley Crue's performance, the Nasty Habits shared the stage with not just Motley Crue but gigantic inflatable futuristic robot vixens of the sort that one associates with Motley Crue. It felt especially tight coming out of the chaos and cacophony of Motley Crue, whose set was messy, but not without its charms.Ĭoncert of a lifetime? How two of Arizona's biggest bands joined forces for one night It was a brilliantly constructed set that peppered in a handful of their greatest hits while holding back enough to close with an amazing four-song power block of "Hysteria," "Pour Some Sugar on Me," "Rock of Ages" and "Photograph." But there were obviously moments - on "Love Bites," in particular - where the high notes were heavily processed and tucked in the mix at a level where it wouldn't be abrasive if it was a little off. He looked and sounded so much younger than he is. Highlights from the classics ranged from a suitably brooding performance of "Foolin'" to the even more dramatic "Bringin' on the Heartbreak" and their single greatest contribution to art of power balladry, "Love Bites." Those songs held their own surrounded by the hits on which their legacy has ultimately come to rest, especially "This Guitar," which benefited greatly from the unplugged treatment as part of a two-song respite from the rocking with "Two Steps Behind."īoth songs had a bit of an Everly Brothers vibe, which was both really nice and unexpected.
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